Back from the Heat
I feel it is a good match. Pottery and bonsai. Both have been a surprise discovery for me over the last 5 years. They have taught me to use my hands in other ways beyond the daily mundane rituals. I have a new appreciation of my hands. It feels empowering to create, making something that can be used or just looked at. I hope you enjoy these latest pots that have come back from the heat.
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All these pots have been wood fired in Taiwan. |
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Part of the fun of pottery is that you can try different techniques to get unique results. |
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I sliced this tea bowl when wet with a twisted wire to create the ridged effect. I then dipped the porcelain in a red clay, and finally white glazed the piece before placing it in a wood fired kiln for four days. |
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A close up of a nice drip of glaze. |
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A zoomed out shot. Some sections are more shiny, while others a little more matte. |
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Waiting to be filled up with whatever. |
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A pot with texture is asking for someone to pick it up. I think that is a sign of a good piece - it screams of wanting to be touched and held. |
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A new style for me. While wet, I cut into the clay with the sharp edge of a metal ruler. I then stretched out the clay with my fingers. |
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My hope was that the wood ash would find its way in the ridges as it became a melted glaze. It kind of worked in parts. |
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I may try this technique once again, but next time I think I will try and avoid any straight lines. |
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Although the contrast of straight and some deep cut grooves may be the way to go?
I'm also experimenting ways of where and how I put my seal on a pot. The seal can be part of the overall design and proof that it was actually handmade. I have my Chinese name on a seal - I thought about it for a while. I tried signing my name in English and it always looked so boring - until I find a way to be creative with my English seal, I will continue using my Chinese chop.
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I glazed the inside and lip of this pot. |
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Tea bowl. |
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I mixed two different clays for this bowl. I then glazed half. |
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I made this guy quite light with a shallow foot ring. |
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I have been rolling a small ball of clay and pressing my seal into it as a final touch. |
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I used a simple white glaze, but when wood fired, it has a nice green smoky appearance. |
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This guy was probably my favorite. Simple, comfortable shape, with an interesting colour spread. |
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I made the lip undulating which creates a feeling of movement but also modesty. |
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A section of the glaze that I applied melted the foot ring onto the wad. I had to grind it off so as the cup would stand without wobbling. The whiteness showing up on the foot is the result from grinding. I would like to tone down the whiteness but I am yet to find out how. |
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I applied the glaze too thick. You can see it here dripping down and settling on the foot, adhering it to the wad. My mistake. |
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A small tea cup. I added Japanese white clay slip after trimming. |
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I impressed a finger dent in the side to add a touch of ....uniqueness? |
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A splash of white glaze on the other side. |
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I think I will continue dipping some pots into my Japanese white clay slip. I like the effect. |
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A tea jar. |
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Again I applied the glaze too thick. It pooled down the bottom and stuck on the wad. |
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I removed it with a grinder but it would be best if it didn't happen. I think the jar would have been nicer - however, it does tell a story! |
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This guy is the size of my thumb. |
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I always make a few very small tea cups and throw them in a firing. |
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They are all different. |
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I have about 30 or so up until now. |
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This last fellow isn't as small as my thumb, but not too much bigger. He was fired with an electric kiln. I have been playing around with some painting as well. |
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The other side. |
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Everyone loves a nice foot ring. It is one of the first things someone will do when picking up a pot. Make sure you get the ring right!
Thanks for reading! I hope your trees and pots out there are giving you some joy.
Please visit my online shop at https://www.etsy.com/shop/AllinOneCeramicsTW?ref=seller-platform-mcnavfor these and other pieces.
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